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CATHEDRAL SETTING 2026 Year at a Glance on Premium Matte Paper Poster with Hanger 30x45 cm / 12x18″

CATHEDRAL SETTING 2026 Year at a Glance on Premium Matte Paper Poster with Hanger 30x45 cm / 12x18″

Regular price $45.99 USD
Regular price Sale price $45.99 USD
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Wall Hanger Color

Our minimalist wooden hangers are made with four magnetic wooden dowels, two that clamp to the top of your print and two that clamp to the bottom to give a vintage look and feel. The poster is made with heavier-weight white matte paper that has a natural, smooth uncoated finish that feels luxurious to the touch.

While the poster and hangers are packed separately in one box, final assembly is required. Don’t worry; it's a snap to put them together!

Features: 

  • The hangers are made from pine and come in 4 variants: natural wood, white, black or dark wood.
  • The cotton rope attached at the top matches the hanger color. 
  • Designed magnetically, the hangers do not damage the poster and also makes it easy to switch prints, making it a versatile and durable option.
  • The 200 gsm / 80 lb paper weight makes it durable and long-lasting.
  • FSC-certified paper and hangers or equivalent certifications, depending on regional availability. It’s better for the people and the planet.
  • Each poster and hanger is shipped in robust packaging, ensuring it arrives in pristine condition.
  • Paper sizes may vary slightly by region. For the US and Canada, the measurement is in inches, while for the rest of the world, it is in centimeters.

ABOUT THE PAINTING PRINT ON THE CALENDAR:

Cathedral Setting, acrylic on canvas, 3 x 2 FT.

A cathedral setting is often used for engagement rings. It’s where a diamond is fitted in the center of the piece, flanked by arches of metal. I used to call such rings “sweater snaggers” because they seemed to always be made with a big diamond as the focal point and looked gaudy to me. In actuality, it is a beautiful design, meant to capture light from all angles of the cut and really make the stone sparkle.

When I think of a cathedral setting in practical terms, I remember my tours in Europe. I think of the Rose Window in Norte Dame, Westminster Abbey’s flying buttresses, the Vatican with its marble sculptures and other such sacred places I’ve been blessed to see. I also think of my years studying art history, especially a whole quarter dedicated to Gothic cathedrals and reliquaries. This piece was inspired by those visual beatitudes… and the sacred feminine.

Sometimes, I feel as though women are meant to exemplify a saintly portrait made of stained glass: flat yet luminous, fragile yet stoic, worshipful yet humble. We’re supposed to be a mosaic of glistening ideals, but the shards cut. What is it to be a woman? What is it to be a mother? What is it to be a wife? What is it about the identity within womanhood that makes our definitions seem so damned mutable? And, why is it not enough to be a diamond in the rough, existing comfortably in the state of our natural form?

This piece is about those questions, looking between the lines, painting over them and realizing that the answers lie within the whole personhood, not solely upon the parts to be identified. Women, let’s let our light shine, all that animates us.

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