BURGEON 2024 Year at a Glance on Premium Matte Paper Calendar with Hanger

Our minimalist wooden hangers are made with four magnetic wooden dowels, two that clamp to the top of your print and two that clamp to the bottom to give a vintage look and feel. The poster is made with heavier-weight white matte paper that has a natural, smooth uncoated finish that feels luxurious to the touch.

While the poster and hangers are packed separately in one box, final assembly is required. Don’t worry; it's a snap to put them together!

Features: 

• The hangers are made from pine and come in natural wood, white, black or dark wood..
• The cotton rope attached at the top matches the hanger color. 
• Designed magnetically, the hangers do not damage the poster and also makes it easy to switch prints, making it a versatile and durable option.
• The 200 gsm / 80 lb paper weight makes it durable and long-lasting.
• FSC-certified paper and hangers or equivalent certifications, depending on regional availability. It’s better for the people and the planet.
• Each poster and hanger is shipped in robust packaging, ensuring it arrives in pristine condition.
• Paper sizes may vary slightly by region. For the US and Canada, the measurement is in inches, while for the rest of the world, it is in centimeters.

ABOUT THE PAINTING PRINT ON THE CALENDAR:

Burgeon, acrylic on canvas, diameter 16 IN.

When I think of burgeon, I think of blooming and wild spring days ready to pop with flowers, like fireworks shooting across rolling meadows and waves of hills. Classically, burgeon just means to begin to grow or increase rapidly.

This piece was meant to represent all those flowers of Spring in one, big blossom. I wanted it to emulate the new beginning I was starting at the time. I was full of hope and dreams, ready to feel my bloom again. For those reasons, I approached this round canvas with a bit of ritual. I wanted every color of the rainbow to be in its foundation, like one would view every opportunity when one starts on a new journey. So, that’s what I did. I painted the entire piece in one color then slowly, meticulously cut in towards the center. For each color, I’d mask out a couple strips of thin tape, then the entire canvas would be covered in a new color again and again a couple more niches would be taped off over that already laid. Soft angles began to form the as I continued towards the middle. This not only gave an interesting physical texture to it, like delicate petals, it also gave the piece more depth and movement with the fractured highlights and lowlights of the underpainting swirling around… still look at this piece, thinking I see it breathing because it’s just so vibrant and was a joy to create.